Persuasion

Sep. 23rd, 2011 11:14 am
pensnest: Mary Bennett drawing: I should infinitely prefer a book (Mary Bennett prefers a book)
[personal profile] pensnest
I'm knitting, as I've probably mentioned, a largeish garment for Bun. This means that I'm currently spending quite a bit of time in front of the telly, watching DVDs of things I have seen before. (Beast spends the time on his computer, so I'm not watching new stuff.)

I just discovered that I own two different films of 'Persuasion', and this morning I watched the unfamiliar one, which appears to have been made in 2007 and stars Sally Hawkins and Rupert Penry-Jones. Now, I will admit that Rupert Penry-Jones is *gorgeous*, but he and Alice Krige and unexpected!Giles are really all this particular film has going for it.

I was amazed at how badly the story was told. I cannot accuse the screenwriter(s) of not reading the book, because a good deal of the dialogue was lifted straight from its pages (and oh, boy, did the modern stuff stick out like fat, sausage-like thumbs). But those bits of dialogue don't necessarily belong at the stage in the story where they are given, or in the scene they appear in.

It's... it's "Persuasion-Lite". Instead of showing us a complicated story in which every character has his or her own motivations and in which the tension ratchets up slowly and irrevocably, they make it pellucidly clear at every point that This Girl and This Guy are Destined To End Up Together, and they make it dull. They miss the point of so many things. They mistake jogging through Bath for actual drama. The manners are modern instead of period, gah! I was already cross by the time it got to the scene where Mrs Smith (an invalid who needs help to move from one room to another and who leaves her lodgings only to go to the baths) trots through the streets to inform Anne that she shouldn't marry Mr Elliot, for he is a Villain, but that was appalling. I prefer the story in which the heroine already knows she is not going to marry Mr Eliot, and has to convince her impoverished friend before Mrs Smith dares to reveal the horrid truth about him—because everyone in Bath believes the engagement will be announced at any moment.

The script is, in short, dreadful. There's no excuse—all they had to do was follow the book.

Do not bother with this version. Get the 2003 BBC version starring Amanda Root and Ciaran Hinds, which is as near to perfect as any filmed version of any Jane Austen story can be.

Date: 2011-09-23 10:55 am (UTC)
copracat: three pictures of Ares at various stages of pursing his lips, opening his mouth and sucking his thumb with the text SEX (ares is sex)
From: [personal profile] copracat
Oh, that one. I saw the end of it with the running through the streets and couldn't help but compare it to that wonderful long still moment that Ciaran Hinds and Amanda Root made so wonderfully, perfectly romantically full of ALL the emotions.

Date: 2011-09-23 12:24 pm (UTC)
laughingrat: A detail of leaping rats from an original movie poster for the first film of Nosferatu (Default)
From: [personal profile] laughingrat
Ciaran Hinds

I knew I knew that name, and when I Google'd him, lo, turns out he played Caesar in Rome. I loved him in that.

Date: 2011-09-23 12:55 pm (UTC)
From: [identity profile] hsw.livejournal.com
I love the Ciaran Hinds version. Glad I never got around to seeing the other one. Hmm, that reminds me, did I actually buy it or just keep it for ages from Lovefilm? Must check.

H

Date: 2011-09-25 11:57 am (UTC)
From: [identity profile] adorkable08.livejournal.com

Going to look for this as I love Austen. I love the BBC version of Pride and Prejudice as well. The remake is just... Ugh.

Date: 2011-09-26 04:55 pm (UTC)
From: [identity profile] adorkable08.livejournal.com
Ugh I love it so much I own it! Knightley is no Elizabeth Bennett, in the least. She looks dirty and frumpy throughout the entire film. Jennifer Ehle has spoiled me for any other depiction of her. Bingley and Darcy are equally is miscast. There is no other Darcy than Colin Firth for me!

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