pensnest: Marc Antony, I am the very model of a modern major general (Rome Modern Major General)
Well, that was novel. I was interviewed at our local internet radio station today! The usual presenter had a sub in, who's one of our Company's members and asked if I'd like to go on and talk about The Mikado, so I went along to the studio before the rehearsal and wittered on about it for a bit. Certainly makes a change!

Rehearsals are going quite nicely - only trouble is, we're into the 'polish it up and make it shine' stage and I'm not sure there's enough time to make it really, truly polished. However, it's a very funny show. The chorus were laughing this evening at the principals' scenes.

Another month and it'll all be over!
pensnest: Marc Antony, I am the very model of a modern major general (Rome Modern Major General)



{Take the 100 Things challenge!}


It is a well-known fact* that requiring chorus players to move as well as sing reduces their individual IQs by a minimum of twenty points.

Fortunately, the effect is temporary, and can be ameliorated by actual effort—you know, learning the words, being certain of the notes, and writing the moves down so that you can go over it at home—the kind of effort most chorus members (including me, I'm not claiming any kind of special exemption here) decline to put in. Oh yes.

Setting the chorus numbers is generally more than a bit tiresome. People miss rehearsals, people don't understand what you're asking them to do (that IQ thing? I asked two people to stand one in front of the other, and they obediently… stood side by side), or don't know the music/lyrics well enough to be able to do the moves because they're struggling to remember what to sing.

However, at times it can be gratifying. I remember pondering over little pieces of paper for ages, deciding which chorus person should go where in which line, then giving them their instructions, and finding to my very great surprise that the move—getting two lines to file on from opposite sides, progress across and around the stage, and end up in four columns—worked perfectly. This time around, I've had to make four substitutions (in a group of seven, ye gods) and the newcomers have picked it up very nicely. Phew.

Onward!


* Ask anyone who directs amateur theatre.
pensnest: Cartoon Nick holds finger to lips in bewilderment (Nick Carter Um)
I'm trying to put together my plan for next year's production of 'The Mikado', and I need your help, gentle readers.

What are the clichés about modern Japan? I'm looking for the instant stereotypes—the Japanese tourists wielding cameras in large groups, the office workers in identical suits, the Hello Kitty schoolgirls in short skirts and long socks. What other images can you think of? Anything?

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